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Delilah Janes from Toronto, Ontario
I didn't even know what "Broadway" was before September of 2016, the first time I heard of 'HAMILTON'. I was introduced by a friend, and I think it changed my life, digging up my love for singing and musical theatre. HAMILTON inspired me to find a part of me that I didn't even realize existed, which is quite inspiring. At this point, barely a year after, I don't listen to Shawn Mendes or Justin Bieber anymore. My iTunes consists of Hamilton, in the Heights, The Little Mermaid: the Musical, Legally Blonde, Dear Evan Hansen, Wicked, Natasha, Pierre, and the Great Comet of 1812, Heathers, Something Rotten!, The Colour Purple, and many more. Thank you, Lin- Manuel Miranda! :)
Jay from Boston, Massachusetts
GREAT SHOW WITH A COUPLE OF MIS-CASTS
Saw the Boston production of Hamilton last week. The show, music and dancing are phenomenal. The actors who portrayed Lafayette/Jefferson and King George III stole the show with overflowing talent. I felt that both the actors who played Burr and Hamilton were mis-cast. The Burr actor demonstrated a beautiful tenor range during Dear Theodosia, but during the song Non-Stop, there is a forceful entrance that Burr makes when he finally has gotten angry. Those notes are more in the baritone range and I feel the actor couldn't deliver the intensity and volume required to portray that anger. There were a few other times I noticed he didn't have a strong lower range and I feel this detracted from his portrayal. I feel The actor who played Hamilton played him too politely. Hamilton is described as "obnoxious" but I didn't get that feeling from the actor. This was especially notable when the character is delivering what are supposed to be snide remarks. With that said, was enjoyable.
Marin from Cleveland, Ohio
Saw it last night at Playhouse Square Cleveland and enjoyed it. I have to say though that the audio was poor. If Hamilton is to thoroughly be enjoyed the rapping and singing have to be understood. I could not understand the words they were singing half the time and it greatly reduced my enjoyment. I was very close to the stage so it wasn't like I was in the last row. I was glad to read others felt as I do. I have seen scores of Broadway shows at Playhouse Square and enjoyed the majority of them. I never experienced not being able to understand the dialogue though.
Arby from Detroit, Michigan
THE KING MADE THE THING
I got lost in the rap. King George made the show for me.
Alan Broad from Grosse Pointe, Michigan
IMPRESSIVE 2ND PERFORMANCE IN DETROIT
It's always a challenge to be fair to a play that is based on a book you loved and have read. Ron Chernow, the author of the amazing biography Hamilton, writes with power, grace and authority. The play is a very creative tour de force, but a derivative at best. The first Act could use some work. The second Act was brilliant. Always good to be at the iconic Fisher Theater.The sound system could use some tweaking.
Jessie from Schenectady, New York
ORCHESTRA OVERWHELMS VOICES
Wonderful acting, singing and dancing But was frustrated by inability to understand half the songs. Words were muddled, maybe a combination of acoustics, speed of the song, orchestra louder than the singers. As much as I enjoyed overall show, I feel like I missed a lot of the content
Jessica Scott from Boston, Massachusetts
HAMILTON WAS GREAT, BUT THE BOSTON OPERA HOUSE FELL SHORT
I'm not hard to please, and as I said above I enjoyed watching Hamilton. It was very entertaining: I've never seen anything quite like it. I rate both the Lion King & Les Miserables higher, but it's in the top 5 for most memorable shows. The Boston Opera House, however, actively tried to spoil that experience by treating theater goers more like sardines being crammed into a can than people who were paying a lot of money for a once in a lifetime experience. Mobil tickets (displayed on your phone & not printable beforehand) are the in-thing now, & it's hard enough bringing each barcode up on your phone if it's more than just you. For the 4 people in my group I had to show each of our tickets 5 times to get to our seats. It's expected at the door, but the ushers are supposed to help, not block your path and demand to see your tickets repeatedly. Someone in the wrong seat in a full house will be caught: the harassment is uncalled for and rude. It made a 5 star show a 3 star experience.
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BRILLIANT Engrossing unforgettable
This is theatre at its best!
This is what our reviewer, Nicola Quinn, had to say when she saw Hamilton on Broadway in 2015: Lin-Manuel Miranda was inspired by his love for 90's rap and hip hop, and Broadway - it's in this mash-up that we experience music which moves by lyrics, beatsRead full review
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